The Curve of the Earth Prelude

With the first performance of the The Curve of the Earth scheduled for late October (much more on this later) the Network Instrument setup has been finalized with only minor adjustments in progress. With the current setup the first recording of the score has been made which I’ve uploaded to SoundCloud for all to check out.


The Curve of the Earth [Prelude/00:00:00-00:43:30]

from the score:

Prelude
At the opening performance of the piece a prelude should be played. This can be an expression of the network at startup as it is brought into readiness by the performer for the beginning of the score. Alternatively there is hard line on the score that marks the beginning of the score but prior to that is some material that could be partially (or fully) obscured by the scroll handle or some device for holding it into place. An impression of this material can be used for this prelude. The Prelude should be specifically indicated in records or recordings of the score, which would include the duration but not a length. i.e:

The Curve of the Earth [Prelude / 00:00:00-00:43:30]

This recording is my first attempt at playing from the score and while done in my apartment approximates a live performance in that it is a single take from material which, while I created it, had yet to realize. As discussed in the initial post on the score, it is an overlay upon live electronics, a Network Instrument in specific, and thus is inherently unpredictable. I’d imagine that the more one plays the score, especially with a static or mostly static Network that increasing familiarity would lead to a certain degree of expertise.  For this first recording it is about as raw and risky as possible as, while the parameters of this particular network have been explored, its behavior and limits are certainly only partially understood.

The scan from the score above is the entirety of the portion of the score that can be used for the prelude with a bit of the actual beginning of the score to the right of the hard line. As the score is a scroll and ideally would have scroll handles (currently it does not) this bit of the score would be partially or perhaps completely obscured by the handle. The hard line was put on the score to indicate material which absolutely must not be obscured in any way. The markings prior to that aren’t really representative of the score (and some of them were brush preparations) but are usable within the rules of the score to realize the prelude.

Also I put up all the current scans from the electric score onto Flickr; check em out if interested.